ISSN 2079-1100

International Journal of Cultural Research
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  3. № 4 (41) 2020: War on the Screen: Event, Image, Memory
№ 4 (41) 2020: War on the Screen: Event, Image, Memory

№ 4 (41) 2020: War on the Screen: Event, Image, Memory

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Topic of Issue

The II World War Films: The Dynamics of Commemoration and Displacement

  • Vasileva Victoria O. The Great Patriotic War of 1941–1945 in the Narratives of Popular Culture: Shifting of Referent. International Journal of Cultural Research. 2020. № 4 (41). 6–26. DOI: 10.52173/2079-1100_2020_4_6
  • Anan'ev Denis A. The Great Patriotic War as Depicted by the Soviet and Russian Cinema: Key Trends and Questions. International Journal of Cultural Research. 2020. № 4 (41), 26–39. DOI: 10.52173/2079-1100_2020_4_26

A Film about War as a Way of Comprehending of Modernity

  • Reyfman Boris V. Forms of Realistic Generalization in the Soviet Cinema during the Khrushchev “Thaw”: War Films and Films about the “Present”. International Journal of Cultural Research. 2020. № 4 (41), 40–51. DOI: 10.52173/2079-1100_2020_4_40
  • Kazyuchits Maksim F. American Documentaries and Animated Cartoon as Tools for Propaganda in the Period of the II World War. International Journal of Cultural Research. 2020. № 4 (41): 52–68. DOI: 10.52173/2079-1100_2020_4_52
  • Stepanov Alexey S. Film “Nobody Wanted to Die” (1965): Experience in Contextual Criticism. International Journal of Cultural Research. 2020. № 4 (41): 69–80. DOI:10.52173/2079-1100_2020_4_69

Film-imagology

  • Volkov Evgeny V. Images of Alexander V. Kolchak in Soviet and Post-Soviet Russian Fiction Films. International Journal of Cultural Research. 2020. № 4 (41): 81–93. DOI:10.52173/2079-1100_2020_4_81
  • Sputnickaja Nina Ju. Images of Enemy in the Fairy-Tale Films and Animation of the USSR during the II World War. International Journal of Cultural Research. 2020. № 4 (41): 94–110. DOI:10.52173/2079-1100_2020_4_94
  • Suslov Aleksei Yu. The Images of Socialists in the Soviet Cinema of 1920s–1960s. International Journal of Cultural Research. 2020. № 4 (41): 111–122. DOI:10.52173/2079-1100_2020_4_111
  • Talerov Pavel I. Adventurer, Punch or Commander from God? Image of Nestor Makhno in Post-soviet Documentary Films. International Journal of Cultural Research. 2020. № 4 (41): 123–134. DOI:10.52173/2079-1100_2020_4_123

Chronicle Documentary: Between Fictional Text and Historical Evidence

  • Belgorodskaya Lyudmila V., Vonog Evgenii A. Repressions and Human Losses in terms of the Period of the Civil War in Russia Reflected in American Newsreel ‘Allied Expeditionary Forces in Siberia, 1918–1919’. International Journal of Cultural Research. 2020. № 4 (41): 135–146. DOI:10.52173/2079-1100_2020_4_135
  • Belyakov Victor K. Military and Revolutionary Events in China in the 1930–1955 in Color Soviet Documentaries. International Journal of Cultural Research. 2020. № 4 (41): 147–156. DOI:10.52173/2079-1100_2020_4_147

Cultural History

  • Kukso Kseniya A. Epidemic and Action (on the Material of Plague Epidemics of Early Modern Europe). International Journal of Cultural Research. 2020. № 4 (41): 157–169. DOI:10.52173/2079-1100_2020_4_157

Art Theory

  • Blinova Elena K. Contemplation of Landscape Concerning as Empirical Practice. International Journal of Cultural Research. 2020. № 4 (41): 170–185. DOI:10.52173/2079-1100_2020_4_170
  • Venkova Alina V. The aesthetics of the receptive response in the post-revolutionary art in Russia. Abstract Art, "Cetodynamos" and Suprematism. International Journal of Cultural Research. 2020. № 4 (41): 186–198. DOI:10.52173/2079-1100_2020_4_186

Popular Culture

  • Koneva Anna V. Childhood Trauma of Popular Characters as an Expedient of Contemporary Cinema. International Journal of Cultural Research. 2020. № 4 (41): 199–212. DOI:10.52173/2079-1100_2020_4_199

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№ 4 (41) 2020

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